
Red Roses in a Copper Vase

Roses in a Glass Vase

Yellow Roses in a Copper Vase

Pink Roses in a White Vase
This is how the four small paintings put together look.
You can view all my roses paintings here.
Happy viewing!
Red Roses in a Copper Vase
Roses in a Glass Vase
Yellow Roses in a Copper Vase
Pink Roses in a White Vase
This is how the four small paintings put together look.
You can view all my roses paintings here.
Happy viewing!
For a while I have thinking about painting cherries. Following are some of the compositions with cherries that I have painted. Some of the cherries have toppled over the bowls and create movement in the paintings.
Cherries in a Glass Bowl
For the darkest cherries, I used crimson, vermillion and a bit of ultramarine blue. For the brightest parts vermillion was mixed with cadmium yellow and white. For highlights white and lemon yellow were added to the reds.
Cherries in a Blue Bowl
The blue bowl was painted using cobalt blue and later on the flowers were added.
Cherries in a Bone China Bowl
The white bowl was painted by adding lemon yellow to white for the lighted part and bit of crimson and ultramarine to titanium white for the shaded parts.
Cherries on a Plate
The shaded parts in and around the plate give it its shape. This is how the four paintings put together look.
You can view my other still life paintings here.
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While shopping at supermarket, I look at shapes and colours of fruits. At the back of my mind, I usually think what will look good in a painting. I appreciate the glow that light generates and try to recognise shapes and patterns of different colours on the objects.
This time around, I liked the colour of plums varying from yellowish orange to red, maroon and deep purple. I picked up plums of different colours and thought that they would look good in a painting.
Then I was roaming around the house looking for other components in the composition. After painting couple of Teapot and Grapes paintings, teapot was foremost in my mind. I tried various arrangements of plums around the teapot and finally settled in for this version and painted it.
Still Life with Teapot and Plums
I was still not done with painting plums. The fascination with metallic objects led to this carafe for its shiny reflective surface to paint with the plums. To create movement in the painting, I rolled over two plums from the plate. I liked the garland formed by actual and virtual plums. This is what ‘Still life with Carafe and Plums’ look like.
Still Life with Carafe and Plums
This is how the two paintings put together look.
You can view my other still life paintings here.
Hope you enjoy viewing these paintings as much as I have while painting them!
Painting is a skill in which finesse comes only through practice and hard work. It is an intrinsic knowledge which gets embedded deep inside as one progresses on the learning curve. Elementary knowledge can be gained through secondary sources regarding the tools and techniques of oil painting but the learning comes only by doing it. What colours to use, what amount to mix, which medium to add, how to apply colours, which brushes to use, impact and direction of brushstrokes; one gets better and better at it through each painting.
As I was painting flowers in a vase, I realised how much I enjoyed painting the vase. The idea to paint more than one vase in a single painting occurred at that point of time. That is how the following two paintings came into being.
Peonies and the Blues 1
I wanted to mix the blues and experiment with different shapes of the vases. These paintings gave me ample opportunity to do so. Cobalt, ultramarine, Prussian blue were mixed with viridian hue, lemon yellow and titanium white for various vases. It was fun to paint the highlights on the vases. Once the vases were painted, I felt like painting some flowers in them. So added the peonies in one of the vases in each painting.
Peonies and the Blues 2
The colour of the background is in contrast to those of the vases. The table and the background were painted using the same three colours i.e. crimson lake, ultramarine blue and cadmium yellow. How the ratio of the colours in the mix can yield a vastly different end result is apparent from this study.
This is how the two paintings put together side by side look.
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Roses, tulips and daffodils have been painted in a glass vase. The two images above show how an oil painting can be transformed. More depth has been added in the painting using various tones, tints, values and hues to depict the lit and shadow areas of flowers.
The shape of some flowers has been varied to incorporate the three dimensional effect. Two of the poppies in the original painting have been transformed into tulips. The foliage has been redone. The whites of the daisies have many more colours now.
The vase has been placed on a table. The transparent glass vase and the dark wood table provide a contrast in the painting. The background colour has been changed. The colour of the table and the background is visible through the glass vase. All this has resulted in a vibrant painting.
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White Roses in a Vase (11H X 14W)
Original still life painting of White Roses in a Vase by Navdeep Kular
Oil on canvas
11H X 14W
This painting is a sequel to Still Life with Red Roses. Along with the roses, the bowl of fruit is a common element between the two paintings. White roses have been painted in an impressionist manner.
Peach Roses in a Vase
Peach Roses in a Blue Vase is an original oil painting. Creative work is a source of immense joy and satisfaction.
The sharp front edge and softened rear edge of the wooden table provide depth to the painting. The shapes and colours visible on the vase intrigued me while painting. The reds, yellows and whites were used with blues for painting the vase. The colour palette started from titanium white and lemon yellow on one hand to crimson lake, ultramarine blue, cobalt blue and ivory black on the other side. The backdrop of this painting is unique. The flowers seem to be in symphony with the background.
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