This is how the four small paintings put together look.
You can view all my roses paintings here.
This is how the four small paintings put together look.
You can view all my roses paintings here.
Roses, tulips and daffodils have been painted in a glass vase. The two images above show how an oil painting can be transformed. More depth has been added in the painting using various tones, tints, values and hues to depict the lit and shadow areas of flowers.
The shape of some flowers has been varied to incorporate the three dimensional effect. Two of the poppies in the original painting have been transformed into tulips. The foliage has been redone. The whites of the daisies have many more colours now.
The vase has been placed on a table. The transparent glass vase and the dark wood table provide a contrast in the painting. The background colour has been changed. The colour of the table and the background is visible through the glass vase. All this has resulted in a vibrant painting.
Original still life painting of White Roses in a Vase by Navdeep Kular
Oil on canvas
11H X 14W
This painting is a sequel to Still Life with Red Roses. Along with the roses, the bowl of fruit is a common element between the two paintings. White roses have been painted in an impressionist manner.
Another painting of red roses. Red roses in a turquoise vase is an original oil painting. The central focal point of this painting is the highlight on turquoise vase on the right. I like the gloss on the vase in this painting. I tried to achieve asymmetrical balance in this composition by placing a big vase on the right and balancing it with a bowl of fruits on the left. The colours red and orange are close to each other on the colour wheel, still I have experimented with placing them together.
Enjoyed painting the folds of white curtain in the background. I painted the window with adding whites, greys and little bit of brown to warm it up. I rarely use paint directly from the tube. It is too much fun mixing the basic colours and generating innumerable hues with them. The iris flowers in the wall hangings have been painted with blurred edges. The background colour was mixed using viridian hue with lemon yellow and lit bit of titanium white.
Flowers from special occasion always prompt me to record them in the form of an oil painting. These flowers are from a grand reception party. The bouquets were heavenly with rose buds and pink peonies arranged in a pleasing manner. I kept on admiring the flowers the entire evening. While the guests were saying their goodbyes, I was going around the tables and clicking as many angles as possible of elegant bouquets placed as centrepieces.
After months, I sat down to paint the reception bouquet. The painting is not exact replica of that flower arrangement. In the reception bouquet, the vases were barely visible on the tables as the foliage was almost touching the table. As I have been painting vases in the recent past, in my eagerness to paint the vase, I have lifted the bouquet up a bit.
This painting has turned out to be a bright one with the darkest darks placed against the lightest lights.
The beauty of rose flower is legendary. It has been etched in the pages of time by numerous poets, sculptors and artists in various mediums. I have tried to exhibit the beauty of roses through oil paintings.
Mauve Roses is a study of light and shadows which give depth to the painting. Roses have been placed in various positions. The light coming from the top left hand side falls on the composition. The mixes of crimson lake, vermillion hue and blues toned with whites have been used for painting flowers The warm colour of background balances cool colour of the flowers.
It is always fun to experiment with colours. After painting red, pink, white and peach roses, here is an attempt to paint yellow roses.
Various yellows such as ochre, chrome, cadmium and lemon have been used with mixes of reds, blues and whites to paint the roses. The supporting flowers compliment the yellow roses. The light shining on the crystal vase shows its edges.
The burnt umber background makes the flowers glow. The direction of the brushstrokes make evident the fall of the table cloth at the edge of the table. Few flowers have been placed on the table to balance out the top heavy composition.
Paintings immortalize moments, feelings, experiences and places. The emotional connect makes a particular painting special. It gives us the chance to relive the past innumerable times and provides joy forever.
The story behind this painting makes it a special one. The moment I saw picture of the wedding bouquet, I thought about painting it. The painting was supposed to be a surprise gift for the young couple.
The source for this painting was low resolution picture. Another challenge was limited time before travel for attending the Indian wedding. I somehow managed to paint the wedding bouquet. Oil paintings take their own sweet time to dry. It was moved around in and out of the house and kept at various places to dry. The air conditioner, fresh air, sun; nothing seemed to hasten the process of drying.There was no question of getting it framed. How do we carry it along? It could not be rolled, as that would spoil the painting. It could not be taken in checked-in baggage as that would have smudged the painting. It could be gifted later but thought the right time was then. Then we thought about carrying it in a box. A maroon box was prepared to carry the painting. An appropriate font was used in golden colour to name the painting on the box. The box was cushioned on the inside. The painting was kept in a U shape with transparent layer on top, so that it did not touch the lid. I wish I had taken a photo of the box for memory sake but we were too concerned about transporting it safely. The box was put in carry baggage, which was kept flat throughout the journey.
The bride was amazed when she opened the box. The look in her eyes was worth all the effort the entire family had put in to take the special painting for her.
Pink Roses in a Crystal Vase is an original oil painting. The magic of RYB has helped me mix numerous colours which have been used in this painting.
The crystal vase is placed on a wooden oval table. The edges of the table and those of the window sill and the boundary wall provide depth to the painting. Grey clouds are visible in the sky outside. The dark curtain provides a backdrop to the flower arrangement. The light and shadows on the vase along with the stems of the flowers give vase its shape and character.
Peach Roses in a Blue Vase is an original oil painting. Creative work is a source of immense joy and satisfaction.
The sharp front edge and softened rear edge of the wooden table provide depth to the painting. The shapes and colours visible on the vase intrigued me while painting. The reds, yellows and whites were used with blues for painting the vase. The colour palette started from titanium white and lemon yellow on one hand to crimson lake, ultramarine blue, cobalt blue and ivory black on the other side. The backdrop of this painting is unique. The flowers seem to be in symphony with the background.
Pink Roses in a Vase is an original oil painting. Pink roses are arranged in a circular formation in a round vase.
It was fun painting a light wooden table top. The sharp front edge and the softened rear edge flatten the table. The shape and colour of the vase is different from my previous paintings. The impact of light shining on the vase is depicted through bold brushstrokes. Pink roses illuminate against a textured dark backdrop. I am amazed at the number of colours one can generate with the use of primary colours.
Hope you enjoy viewing this painting!
The only way to master something is to do it over and over again. This painting is an attempt to paint the roses better and to show the reflection in a crystal vase.
Roses have been painted using mixes of vermilion hue, crimson lake, ultramarine blue, cadmium yellow, lemon yellow and titanium white. The crystal vase shows patches of light reflecting on its surface. Also visible are the shadows cast by the flowers and foliage on the vase. The refracted stems of roses and water are visible in the vase. It’s rim shines with light falling on it.
The edges of the wooden cabinet on which the flower arrangement is placed provide depth to the painting. The background colours are complementary to those of the roses. Ultramarine blue, cobalt blue, crimson lake, cadmium yellow and flake white have been used for the background.
The Rosy Wealth of June is Henri Fantin-Latour’s painting that adorns the wall of National Gallery in London. In this painting the artist has painted late summer blooms. The painting’s title was probably chosen to appeal to English patrons who outnumbered the ones in his own country during his lifetime. The sharpness in floral and still life paintings of Fantin matches that of Dutch and Flemish old masters.
Here is my ode to the great master. The crystal vase, the bunch of flowers and leaves, all presented a challenge to amateur artist like me. One by one, I started tackling the issues. The flowers required highlights day after day as the layers of oil paint dried. The vase had to depict the shadows and light at various places along with stems of the flowers it holds.
The dark green foliage gives depth to the painting. Many mixes of blues and yellows were used to create various shade of green. Both cadmium and lemon yellow were used along with a tinge of blue and lots of white in yellow roses. The red ones have crimson lake with blue for the darkest tone, then a mix of cadmium red and crimson lake followed by little yellow and white with red for the highlights.
Ever since I saw this painting in the National Gallery, London, I have been wanting to paint it. It is my tribute to the great artist Henri Fantin-Latour whose flower paintings are a treat to watch.
There have been Dutch and Flemish old masters whose floral paintings too, adorn museums around the world. Van Huysum, Heade and Jan Bruguel are some of the famous old masters who created realistic paintings of flowers and were patronised by the high and mighty of their times. The vases with flowers of various seasons combined together on mostly marble table tops are the highlight of their paintings.
My personal liking is for Fantin’s paintings. The compositions, lighting and realism are all eye catching.
A Basket of Roses has pink, red, yellow, white and peach roses, all put together in a basket in an attractive manner. The roses toppled over on the table create a flow in the painting. While painting, I realised how many leaves were there along with the roses.
The rose vine with roses laden all over depicts the abundance of nature. The English roses have soft petals and glow like diamonds on a sunny day. Rose Vine 1 oil painting has an appealing one-three-four-four-one rose composition, slightly tilted towards the right.
The multi layered roses blossom with all their beauty. Many petals shine in the sun and become almost translucent. The roses are surrounded with leaves, big and small, all around in different directions. Varying colours of green in different layers provide the thick foliage and give three dimensional look. The roses become more prominent with the highlighting of few leaves. The textured cream panels of the background contrast the dark green foliage. The worn out panels give the artist opportunity to play around with colours. The settings provides rustic charm and blends with nature.
The joy of painting a rose vine was too much to be given up after one painting. So, Rose Vine 2 was created as a sequel with a different setting. This painting is unique with bunches of rose buds and roses that signify continuity of life. Abundance is the common theme in both the paintings.
I hope you have as much joy looking at these paintings as I had while painting.