
Red Roses in a Copper Vase

Roses in a Glass Vase

Yellow Roses in a Copper Vase

Pink Roses in a White Vase
This is how the four small paintings put together look.
You can view all my roses paintings here.
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Red Roses in a Copper Vase
Roses in a Glass Vase
Yellow Roses in a Copper Vase
Pink Roses in a White Vase
This is how the four small paintings put together look.
You can view all my roses paintings here.
Happy viewing!
For a while I have thinking about painting cherries. Following are some of the compositions with cherries that I have painted. Some of the cherries have toppled over the bowls and create movement in the paintings.
Cherries in a Glass Bowl
For the darkest cherries, I used crimson, vermillion and a bit of ultramarine blue. For the brightest parts vermillion was mixed with cadmium yellow and white. For highlights white and lemon yellow were added to the reds.
Cherries in a Blue Bowl
The blue bowl was painted using cobalt blue and later on the flowers were added.
Cherries in a Bone China Bowl
The white bowl was painted by adding lemon yellow to white for the lighted part and bit of crimson and ultramarine to titanium white for the shaded parts.
Cherries on a Plate
The shaded parts in and around the plate give it its shape. This is how the four paintings put together look.
You can view my other still life paintings here.
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My fascination with colours and shapes have prompted me to explore different subjects. Here is my attempt to paint a teapot and grapes.
Still Life with Teapot and Grapes 1
And a sequel to this painting.
Still Life with Teapot and Grapes 2
This is how the two paintings put together look.
You can view my other still life paintings here.
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Painting from life shows up so many colours and brings new insights in the work which are usually missing in paintings from photographs. I have tried my hand at the following lemon paintings.
The lemons have been painted using lemon, cadmium and ochre yellow. Looking down on the lemons placed in a plate with sunlight casting bright shadows of lemons and plate, I tried figuring out the colours.
Next, I placed the lemons in a glass bowl. This is my first painting of a glass bowl. In retrospect, I think I should have placed more emphasis on drawing a proper ellipse of the rim before painting. At some places the colour of the glass bowl seemed closer to sap green, at other places it seemed to have a bluish and greyish tinge. One lemon appeared to be more greener, other one had more darker colour due to shadows falling on it.
Lemon Tea is the next painting in this sequence of lemon painting. This has another first, my first teacup and sauces painting. The golden base of the teacup was painted using cadmium yellow, blue, white and red.This painting is also a study of the primaries with cherries added to it.
Lemon and a Creamer gave me the opportunity to observe the colours in a white creamer. How the yellows, blues and reds in small quantities added to the white make the shape of rounded objects evident. The handle of the creamer was casting a shadow on it. The painted flowers on the creamer were lightened by the sunlight.
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Peonies and Roses in a Vase
Flowers from special occasion always prompt me to record them in the form of an oil painting. These flowers are from a grand reception party. The bouquets were heavenly with rose buds and pink peonies arranged in a pleasing manner. I kept on admiring the flowers the entire evening. While the guests were saying their goodbyes, I was going around the tables and clicking as many angles as possible of elegant bouquets placed as centrepieces.
After months, I sat down to paint the reception bouquet. The painting is not exact replica of that flower arrangement. In the reception bouquet, the vases were barely visible on the tables as the foliage was almost touching the table. As I have been painting vases in the recent past, in my eagerness to paint the vase, I have lifted the bouquet up a bit.
This painting has turned out to be a bright one with the darkest darks placed against the lightest lights.
Tulips in a Crystal Vase is an original oil painting. A triangular crystal vase has been painted in this composition, although only one face is visible. As the crystal objects have numerous edges, these shine with different intensity as the light falls on them. An attempt has been made to capture this property of the material. The window shows view outside and creates depth in the painting. Tulips merrily swing to the sides. The green foliage provides a contrast to the flowers. The same is the effect of crystal vase on a dark table top.
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